The movie was released in 1983 amidst rejuvenated Taiwanese nationalist sentiment and the gradual liberalisation of Taiwanese media from the strangle hold of the mainland-Chinese dominated authoritarian government. During this period, there was renewed tensions between the local-born populace and migrants from mainland China.[5][6][7] The inclusion of the local dialect, Taiwanese Hokkien, was considered especially poignant as it had been banned by the government since the 1960s.[8] It also depicts, for the first time in Taiwanese cinema, the controversial process of rapid urbanization through demolition-and-relocation.[9]
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